Lessons in Resemblance; or attempts to (un)mask – Smriti Verma
At some point after you grow up, you begin to see people in your memories of others.
The Grammar of Criticism – Lauryn Anderson
‘What’, Clare Connors asks us, ‘is the grammar of our criticism?’. From this question, several further emerge: who is the presumed ‘our’?
Correspondences – Amelia Zhou
Sitting there not in the driver’s seat but a lecture theatre at University College, Oxford, 20 June 2024, my hand writing on the first page of my notebook: how do you invent (form)?
things I took away: thoughts on conference swag and academic form – Sophie Ratcliffe
Standing at the bus stop, and my ‘WHAT IS CREATIVE CRITICISM? A COLLOQUIUM. OXFORD. 20 06 04’ tote bag, has a new owner.
On Creating the Conditions for (Creating) Criticism – Martha Swift
The day begins with unknowingness. Mary Cappello speaks of study as a suspension of certainty, a mode of existence that denies the definitive.
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